About FILMS: going, criticism, craft, festivals, etc, by Mr. Whiplash (aka Jack Gattanella).
Tuesday, May 7, 2024
Oscar Micheaux's WITHIN OUR GATES (1920)
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So... I think I bump this up a point simply for those exquisitely fake-ass right out of Cannibal the Musical Alferd Packer beards slapped on...
Saturday, March 16, 2024
CHICO NEEDED THE MONEY (or Howl for the Funny Ones) (2024) a poem
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(one of the great loves of my life, my brother Jerry, was killed almost a month ago. Today, March 16th, would.... not, it *should* be, and...
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Saturday, January 27, 2024
Jonathan Glazer's THE ZONE OF INTEREST (2023)
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Zone of Interest has some of the most sickeningly extraordinary diegetic sound design of the century. You are never about to tear the fabr...
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Friday, January 19, 2024
Peter Jackson's THE LORD OF THE RINGS (2001-2003) revisited
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(I decided to share here the reviews I wrote upon revisiting the Extended Editions of the Peter Jackson/Wingnut Films productions of The Lo...
Friday, January 12, 2024
Jan Troell's THE EMIGRANTS (1971)
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(Full director's cut via Criterion blu-ray) One of the more fascinating and often miserable humanist epics I've ever encountered in...
Sunday, December 24, 2023
A LETTER TO ELIA (2010) Martin Scorsese and Kent Jones Documentary
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An important documentary on cinema and the ideals of how a radical push to something "New" in movies can make an impact on a per...
Monday, December 18, 2023
Pier Paolo Pasolini's THE GOSPEL ACCORDING TO ST MATTHEW (1964)
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MERRY CHRISTMAS! (or I should say Cristomas) And... this largely lived up to the hype as a remarkable work of art. Gospel According to St ...
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